Benutzer:Dante aurelius/Projektwerkstatt/Jan Bas Ader

Vorlage:Infobox Person

Bastiaan Johan Christiaan "Bas Jan" Ader (geboren am 19. April 1942 in Winschoten, Niederlande - vermisst auf See 1975 zwischen Cape Cod, Massachusetts und Ireland) war ein Konzeptkünstler, Performancekünstler, Fotograf und Filmemacher. Die letzten zehn Jahre seines Lebens, wohnte er in Los Angeles. Schwerpunkt seiner künstlerischen Arbeit, die vor allem in Fotografien und Filmen festgehalten wurde, umfasste die Thematisierung der Schwerkraft. Darüber hinaus entwickelte er performative Installationen, wie beispielsweise Please Don't Leave Me von 1969.

Jugend

Ader wuchs in Winschoten, Niederlande, als einer der beiden Söhne von Bastiaan Jan Ader und Johanna Adriana Ader-Appels auf. Sein Vater wurde 1944 von der deutschen Besatzungsmacht aufgrund seiner Verwicklung in die Widerstandsbewegung hingerichtet.

Ausbildung

Ader studierte Kunst an der Rietveld Akademie in Amsterdam und absolvierte ein Auslandsstudium in den Vereinigte Staaten. Er beendete sein Studium am Otis College of Art and Design 1965 mit einem BFA (Bachelor of Fine Arts), und graduierte von der Claremont Graduate School im Jahr 1967. Nach dem Studium unterrichtete Ader an verschiedenen Institutionen, einschließlich dem Mount San Antonio College, dem Immaculate Heart College und der University of California, Irvine.

Famous works

Ader's most popular work is his 1970 silent short film piece, I'm too sad to tell you, that consists of the artist crying in front of a camera after a brief title.^[1] The interests and concerns in Ader's oeuvre locate him in similar art historical tropes of conceptual and performance artists of the 1970s, such as Chris Burden and Bruce Nauman. Like many conceptual art works of the 1970s, his works were recorded in descriptive notes and statements destined to have flexible and repeated incarnations.

Many myths have spread out about Ader's disappearance at sea, leading to speculations about supposedly lost works resurfacing.

Death

Ader was lost at sea while attempting a single-handed west-east crossing of the Atlantic in a 13 ft pocket cruiser, a modified Guppy 13 named "Ocean Wave". The passage was part of an art performance titled "In Search of the Miraculous". Radio contact broke off three weeks into the voyage, and Ader was presumed lost at sea. The boat was found after 10 months, floating partially submerged 150 miles West-Southwest of the coast of Ireland. His body was never found. The boat, after being recovered by the Spanish fishing vessel that found it, was taken to Coruña. The boat was later stolen.^[2]

Revival

Ader's revival began in the hands of artists, notable is Christopher Williams Bouquet for Bas Jan Ader and Christopher D'Arcangelo, 1991, with many later artists finding inspiration in the artist's romantic take on Conceptualism. With a limited body of work, primarily film and video, exhibitions of his work are difficult though two important retrospectives have occurred, one at the Sweeney Art Gallery in Riverside in 1999, curated by Brad Spence^[3] with catalogue contributions by Thomas Crow, Jan Tumlir, and Brad Spence, and another organized by Camden Arts Centre, London and the Museum Boijmans van Beuningen Rotterdam, in cooperation with Kunsthalle Basel titled Bas Jan Ader – Please don’t leave me, accompanied by a catalogue published in English by Museum Boijmans van Beuningen in Rotterdam, edited by Rein Wolfs, with texts by Erik Beenker and Jörg Heiser, amongst others.

The 2006 documentary film Here is Always Somewhere Else, followed up on Ader's recognition in the contemporary art world. As seen through the eyes of fellow Dutch emigrant filmmaker Rene Daalder, the film attempts to chronicle the life and work of Bas Jan Ader. Here is Always Somewhere Else, was released on DVD in November 2008 and features a collection of Bas Jan's film and video works.^[4]

Additionally, Erika Yeomans' conceptual documentary In Search of Bas Jan's Miraculous (1998, 40 mins., mixed media) on the life and art of Bas Jan continues to screen in various festivals and galleries, most recently as part of Dutch Kultprom Russian Tour of Bas Jan's videos. The project was also featured on This American Life in 1996.^[5] In 2009, 2nd Cannons Publications from Los Angeles released "Rarely Seen Bas Jan Ader Film," a flip-book of a supposed lost Ader film. ^[6]