Benutzer:MYR67/Artikelwerkstatt Louis Charles McClure

Louis Charles McClure, *1867–†1957

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Louis Charles McClure, Photographer, United States of America, Date: 1867-1957; active 1890-1930

Remarks: McClure, who signed himself LCM, studied photography with William Henry Jackson, and he primarily photographed Colorado scenery. Best known as a photographer of Denver, McClure created significant cityscapes during the City Beautiful era (1890s through 1920s). Quelle: The Autry's Collection Online, http://collections.theautry.org/mwebcgi/mweb.exe?request=record;id=PE216028;type=701

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Historic Colorado photos: Louis Charles McClure’s documentation of Denver’s romantic City Beautiful era

Louis Charles McClure captured Denver’s transformation under the influence of the City Beautiful movement. Dnverite, Kevin Beaty; Nov. 01, 2016 The year was 1893 and the World’s Columbian Exposition (or the Chicago World’s Fair) was opening its gates, beckoning Americans to visit with the elaborate White City. The temporary fairground architecture, built by the likes of Daniel Burnham and Frederick Law Olmsted Sr., was a grand Parisian-styled city the likes of which America had never seen. It kicked off an architectural movement known as “City Beautiful” that would soon make its way to Denver. In 1904 Robert Speer was elected mayor of Denver and brought with him a City Beautiful vision of his own: a grand park by the Capitol that would serve as a civic hub for the Mile High City. This would become the Civic Center Park we know today. As his vision came to fruition, the ideas behind the City Beautiful movement, a “holistic and multipurpose approach” (and perhaps gaudy, too), took hold in other parts of Denver. A White City amusement park of our own sprung up and would eventually become known as Lakeside. A grand boathouse was built at City Park, a columned pavilion was constructed at Cheesman Park and the light-encrusted Denver Gas and Electric Building illuminated 15th Street. These projects defined a new era in America, one marked by industrial fervor and a new prosperity. Through it all, Louis Charles McClure was there to document the fruit of this new American labor. Though the photographer is “relatively obscure,” says Denver Public Library reseacher Randel Metz, “his cityscape pictures of Denver are among the most accurate and artistic depictions of any American city during the City Beautiful era.” The library possesses over 4,000 of McClure’s plates and negatives. Within his collection is documentation of many buildings that are iconic even today in the city. But since many were photographed nearly a century ago, the scenes surrounding these familiar structures illustrate a much younger version of Denver. A photograph of the Cathedral Basilica of the Immaculate Conception, for instance, shows the church dwarfing a much lower neighborhood in an ocean of trees. McClure’s body of work is fascinating in both the differences and similarities evident in the city from 100 years ago to today, proof that Mayor Speer’s legacy in Denver was a powerful and lasting one. https://denverite.com/2016/11/01/historic-colorado-photos-louis-charles-mcclures-documentation-denvers-romantic-city-beautiful-era/

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WorldCat Louis Charles McClure https://www.worldcat.org/search?q=au%3AMcClure%2C+Louis+Charles%2C&qt=hot_author

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Acclaimed Western Photographers ~ Louis Charles McClure by Randel Metz on September 22, 2014 Denver Public Library https://history.denverlibrary.org/news/acclaimed-western-photographers-louis-charles-mcclure

Although turn-of-the century photographer Louis Charles McClure's [b.1867, d. 1957] name remains relatively obscure, his cityscape pictures of Denver are among the most accurate and artistic depictions of any American city during the City Beautiful era. Having studied with noted photographer William Henry Jackson, McClure made a career of photographing railroads and landscapes throughout Colorado, but his most interesting work documented the Denver of the 1890's through the 1920's. McClure's artistry brought him considerable success as a commercial photographer during his lifetime. With his gift of over 4,000 glass plate negatives and prints to the Denver Public Library, today people are beginning to recognize McClure's distinctive signature as a sign of photography that is of great historic and aesthetic value.

This blog entry focuses on McClure's documentation of the City Beautiful Movement, which inspired urban beautification in architecture, landscaping and city planning in the United States from the 1890s through the 1920s. Influenced by the Beaux Arts architecture of Europe, American city-shapers designed civic centers, grand boulevards and parks in a quest for urban beauty. The City Beautiful model was "The White City" built at the 1893 World's Columbian Exposition, in Chicago, Illinois.

This was primarily an aesthetic movement, but its promoters felt that it would uplift the spirit too. The City Beautiful ideology also emphasized tourism, scenic values and boosterism. A popular poem from Denver's City Beautiful era reads:

   Denver the beautiful, blest be her name
   Hearts of her subjects with pride are aflame
   Crowned with bright glory that never can wane
   Denver the Queen of the Mountain and Plain.

   [ from: Denver Municipal Facts, 1910]

McClure's medium was the glass plate negative, a process which when done correctly, yields photographs of exceptional clarity and detail. McClure was a master of his field, and these City Beautiful photos only begin to explore the depth of his work. The photos in the gallery linked below showcase many of his other subjects, and with many of the photos, the zoom tool reveals startling detail even at extreme enlargements. This image of a dish of anemones is a good example of the detail available in many McClure photos. At the heart of Mayor Robert Speer's City Beautiful dream for Denver was the Civic Center. Impressive neoclassical government buildings were to surround a flower-filled public park that would serve as the center for the city. A scaled-down version of the mayor's civic center plan was accepted, and the Greek Theater, Voorhies Memorial and the Colonnade of Civic Benefactors were completed in 1919. Funded by the Andrew Carnegie Foundation, the Denver Public Library was designed as a three-story Greek Revival temple featuring open shelves, an art gallery and a children's room. This new library was a cornerstone for Mayor Speer's plan for a civic center based on the City Beautiful model. When it opened in 1910, city boosters declared that "the library will hereafter be one of the city's show places." Hired to design a fitting monument marking the end of the Smoky Hill Trail, sculptor Frederick MacMonnies originally planned on topping his pioneer fountain with a bronze Indian. Denverites took such offense to this that the Indian was replaced by a figure of Kit Carson. Public sculpture, such as the Pioneer Monument, was a legacy of Denver's City Beautiful era. Designed by Denver architect Frank E. Edbrooke, the Brown Palace Hotel opened in 1892. Noted for its stunning Italian Renaissance architecture, it was advertised as being fireproof. The Brown's opulent interior boasted an eight-story, sky-lit atrium. The Brown Palace Hotel is as strong today as ever, its imposing structure holding its own among the shimmering glass and steel towers of 21st Century Denver. Sunken Gardens Park was built in 1909 on the site of a city dump, at 8th and Speer, by landscape architect Saco DeBoer. Water was diverted from Cherry Creek to make the beautiful pool and waterfall that once graced the park.

The pavilion was designed by Denver architect Jacques Benedict. White City's Big Splash ride and the 150-foot Tower of Jewels.

The White City (Lakeside Park) opened in May 1908 to 50,000 cheering people as Mayor Speer pressed a button and 100,000 lights lit up the night. The press billed it as "America's most beautiful amusement park" with swimming for all including "ladies with or without escorts." The Colorado State Capitol, originally designed in the Federal Revival style by Elijah Myers of Detroit, was completed by Denver's Frank Edbrooke in 1904. In 1908, the dome was gilded with 200 ounces of gold leaf, and was to be topped with a sculpture of a beautiful woman -- but state officials couldn't agree on a model. Mizpah Arch facing 17th Street at Union Station, bidding farewell to travelers.

At the dedication of Denver's famous Welcome Arch in 1906, Mayor Speer proclaimed, "It is to stand here for the ages as an expression of the good wishes and kind feeling of our citizens to the stranger who enters our gates." It was demolished in 1931 as a traffic hazard. In 1891, Mary and John Elitch opened the gates to Elitch's Gardens, which eventually developed into a theater, a dance pavilion and an amusement park. Their advertising slogan became "Not to see Elitch's is not to see Denver." The Denver Municipal Auditorium was Mayor Speer's first grand architectural achievement. The Renaissance Revival building by Robert Willison opened in July 1908 to host the Democratic National Convention. "Modern electrification is ours!" proclaimed the Colorado Pioneer in 1910 when Denver's grandest illuminated building -- the Gas and Electric Building -- was formally dedicated. Architect Frank Edbrooke designed this 10-story structure, and Mayor Speer presided over its grand opening.

McClure arranged his photographs into albums, and though we have preserved this system, there is no easy way to see the entire list of albums in any individual record, so here's one for your convenience. The links below will display all of the digitized photographs from the McClure collection (WH2300). Note that while many of McClure's photographs do not have album information available at this time, some belong to more than one album.

L. C. McClure collection 1890-1935 L. C. McClure collection 1890-1935, album I [Denver buildings, theaters, monuments, streets, skylines, homes, churches, etc.]

L. C. McClure collection 1890-1935, album II [Denver amusement parks, parks and monuments]

L. C. McClure collection 1890-1935, album III [Railroads, streetcars, Grand Canyon]

L. C. McClure collection 1890-1935, album IV [Northern Rockies, Steamboat Springs, Trapper's Lake, Craig, Flattops, Moffat Road, etc.]

L. C. McClure collection 1890-1935, album V [Mt. Sopris, Glenwood, Redstone, Roaring Fork, Grand Junction, Buena Vista, Grand Valley, Collegiate Range, etc.]

L. C. McClure collection 1890-1935, album VI [Eastern Slope, Manitou Springs, Garden of the Gods, Pikes Peak, Glen Eyrie, Antlers Hotel, etc.]

L. C. McClure collection 1890-1935, album VII [Argentine Pass, Garden of the Gods, Clear Creek Canyon, Pikes Peak, Platte Canyon, hydraulic mining, etc.]

L. C. McClure collection 1890-1935, album VIII [Northern Rockies, Greeley, Longmont]

L. C. McClure collection 1890-1935, album IX [Morrison, Genesee, Denver Mountain Parks, Mount Evans, Lariat Loop, etc.]

L. C. McClure collection 1890-1935, album X [Canon City, Ouray, San Juans, Pueblo, Acoma, New Mexico, Royal Gorge, Mesa Verde, etc.]

L. C. McClure collection 1890-1935, album XI [Agriculture, Yule marble quarry, Grand Valley, buffalo, fishing, sugar beets, packing houses, mining, ranching, etc.]

L. C. McClure collection 1890-1935, album XII. [Denver parks, monuments, Grand Lake, Gray's Peak, Moffat Road, Rabbit Ears Pass, Rollins Pass, Long's Peak, etc.]

Some items are not included in any of the albums, so always search by keyword to be sure you've seen everything you might be looking for.

[Text and research for this 1998 blog entry by Kay Wisnia; photo collages / web adaptation by Randel Metz] https://history.denverlibrary.org/news/acclaimed-western-photographers-louis-charles-mcclure