Monatlich aktualisierter TOP 200 von Seiten in der Kategorie Musiktheorie (dank Krdbot):
Name |
Back -links |
Rang 2024 -10 |
∅ Zugriffe pro Tag 2024 -10 |
Rang 2024 -11 |
∅ Zugriffe pro Tag 2024 -11 |
Anmerkungen / Bearbeiter | ||
---|---|---|---|---|---|---|---|---|
Quincy Jones | 823 | 12 | 267 | 1 | 6586 | +11 | ||
Quintenzirkel | 120 | 3 | 469 | 2 | 687 | +1 | ||
Jacob Collier | 67 | 29 | 147 | 3 | 549 | +26 | ||
Kontrapunkt | 1297 | 47 | 119 | 4 | 545 | +43 | ||
Gustav Mahler | 1784 | 1 | 551 | 5 | 510 | -4 | ||
Pepe Justicia | 11 | - | 0 | 6 | 492 | |||
Theodor W. Adorno | 1303 | 2 | 510 | 7 | 483 | -5 | ||
Vergleichszeichen | 103 | 5 | 365 | 8 | 394 | -3 | ||
Augustinus von Hippo | 1934 | 7 | 345 | 9 | 394 | -2 | ||
Liste musikalischer Symbole | 1 | 8 | 315 | 10 | 365 | -2 | ||
Pythagoras | 379 | 6 | 357 | 11 | 364 | -5 | ||
Arnold Schönberg | 1564 | 4 | 390 | 12 | 330 | -8 | ||
Requiem | 730 | 20 | 182 | 13 | 322 | +7 | ||
Leonhard Euler | 756 | 9 | 302 | 14 | 306 | -5 | ||
Notenschlüssel | 98 | 14 | 226 | 15 | 277 | -1 | ||
Tempo (Musik) | 697 | 16 | 211 | 16 | 267 | |||
Schlager | 2429 | 10 | 282 | 17 | 254 | -7 | ||
Stimmlage | 724 | 15 | 219 | 18 | 253 | -3 | ||
James Last | 453 | 13 | 248 | 19 | 252 | -6 | ||
Moshpit | 37 | 11 | 269 | 20 | 248 | -9 | ||
Musik der Romantik | 527 | 22 | 167 | 21 | 218 | +1 | ||
Oper | 5000 | 17 | 194 | 22 | 214 | -5 | ||
Intervall (Musik) | 453 | 25 | 154 | 23 | 198 | +2 | ||
Kastrat | 390 | 19 | 183 | 24 | 195 | -5 | ||
Glenn Miller | 519 | 28 | 148 | 25 | 192 | +3 | ||
Tonleiter | 369 | 27 | 149 | 26 | 191 | +1 | ||
Pentatonik | 274 | 34 | 137 | 27 | 185 | +7 | ||
Musical | 5000 | 40 | 132 | 28 | 181 | +12 | ||
Ballett | 2677 | 24 | 154 | 29 | 179 | -5 | ||
Fuge (Musik) | 640 | 38 | 135 | 30 | 175 | +8 | ||
Notenwert | 256 | 46 | 119 | 31 | 175 | +15 | ||
Falsett | 344 | 21 | 176 | 32 | 174 | -11 | ||
Zwölftontechnik | 281 | 23 | 158 | 33 | 173 | -10 | ||
Gregorianischer Choral | 673 | 36 | 137 | 34 | 172 | +2 | ||
Synkope (Musik) | 466 | 51 | 113 | 35 | 165 | +16 | ||
Notation (Musik) | 369 | 32 | 145 | 36 | 162 | -4 | ||
Oktave | 750 | 44 | 128 | 37 | 159 | +7 | ||
Kammerton | 127 | 31 | 145 | 38 | 159 | -7 | ||
Sinfonie | 1306 | 41 | 132 | 39 | 158 | +2 | ||
Ballade | 1045 | 35 | 137 | 40 | 158 | -5 | ||
Flamenco | 694 | 18 | 191 | 41 | 157 | -23 | ||
Pogo | 56 | 43 | 130 | 42 | 156 | +1 | ||
Oratorium | 1841 | 53 | 108 | 43 | 155 | +10 | ||
Claudius Ptolemäus | 1036 | 30 | 145 | 44 | 153 | -14 | ||
Tenor | 2623 | 39 | 133 | 45 | 146 | -6 | ||
Euklid | 442 | 33 | 143 | 46 | 138 | -13 | ||
Takt (Musik) | 851 | 55 | 107 | 47 | 137 | +8 | ||
Sopran | 4145 | 48 | 117 | 48 | 133 | |||
Line Dance | 57 | 42 | 131 | 49 | 132 | -7 | ||
Solmisation | 115 | 45 | 125 | 50 | 132 | -5 | ||
Frequenzen der gleichstufigen Stimmung | 15 | 49 | 114 | 51 | 132 | -2 | ||
Kirchentonart | 249 | 50 | 114 | 52 | 131 | -2 | ||
Burlesque | 151 | 26 | 151 | 53 | 129 | -27 | ||
Pepe Lienhard | 192 | 78 | 84 | 54 | 129 | +24 | ||
Vaudeville | 1209 | 37 | 137 | 55 | 127 | -18 | ||
Akkord | 656 | 72 | 88 | 56 | 126 | +16 | ||
Al Jarreau | 337 | 68 | 90 | 57 | 125 | +11 | ||
Note (Musik) | 215 | 66 | 90 | 58 | 125 | +8 | ||
Generalbass | 787 | 77 | 84 | 59 | 123 | +18 | ||
Harry Gregson-Williams | 140 | 147 | 43 | 60 | 123 | +87 | ||
Bariton | 1713 | 54 | 108 | 61 | 121 | -7 | ||
Ernst Mosch | 92 | 63 | 95 | 62 | 121 | +1 | ||
Kadenz (Harmonielehre) | 331 | 59 | 99 | 63 | 120 | -4 | ||
Vorzeichen (Musik) | 87 | 65 | 93 | 64 | 117 | +1 | ||
Max Reger | 1025 | 64 | 94 | 65 | 115 | -1 | ||
Terz (Musik) | 453 | 69 | 89 | 66 | 114 | +3 | ||
Stabat mater | 156 | 82 | 79 | 67 | 112 | +15 | ||
Mezzosopran | 1769 | 70 | 89 | 68 | 110 | +2 | ||
Verzierung (Musik) | 244 | 62 | 97 | 69 | 106 | -7 | ||
Oberton | 305 | 91 | 71 | 70 | 101 | +21 | ||
Operette | 2246 | 81 | 79 | 71 | 100 | +10 | ||
Diatonik | 302 | 76 | 84 | 72 | 99 | +4 | ||
Chanson | 1414 | 58 | 100 | 73 | 98 | -15 | ||
Kakophonie | 80 | 57 | 101 | 74 | 98 | -17 | ||
Bert Kaempfert | 222 | 52 | 111 | 75 | 96 | -23 | ||
Moll | 442 | 75 | 84 | 76 | 96 | -1 | ||
Nationalhymne | 1171 | 71 | 88 | 77 | 96 | -6 | ||
MIDI | 302 | 79 | 82 | 78 | 95 | +1 | ||
Stimmen einer Gitarre | 10 | 83 | 75 | 79 | 92 | +4 | ||
Athanasius Kircher | 233 | 120 | 54 | 80 | 91 | +40 | ||
Polka | 491 | 92 | 70 | 81 | 91 | +11 | ||
Sonatensatzform | 393 | 101 | 66 | 82 | 91 | +19 | ||
Partitur | 739 | 116 | 56 | 83 | 89 | +33 | ||
Filmmusik | 2347 | 103 | 64 | 84 | 89 | +19 | ||
Motette | 1182 | 100 | 66 | 85 | 88 | +15 | ||
Eratosthenes | 198 | 61 | 97 | 86 | 88 | -25 | ||
Riverdance – The Show | 58 | 288 | 22 | 87 | 85 | +201 | ||
Anton Webern | 427 | 149 | 43 | 88 | 85 | +61 | ||
Rosalía (Sängerin) | 94 | 80 | 82 | 89 | 84 | -9 | ||
Te Deum | 465 | 74 | 85 | 90 | 84 | -16 | ||
Michael Flatley | 42 | 123 | 53 | 91 | 83 | +32 | ||
Bluestonleiter | 22 | 124 | 53 | 92 | 82 | +32 | ||
Rhythmus (Musik) | 910 | 113 | 59 | 93 | 82 | +20 | ||
C-Dur | 343 | 99 | 67 | 94 | 82 | +5 | ||
Tonart | 448 | 85 | 74 | 95 | 81 | -10 | ||
Metronom | 156 | 67 | 90 | 96 | 81 | -29 | ||
Weihnachtslied | 452 | 334 | 18 | 97 | 81 | +237 | ||
Countertenor | 328 | 108 | 62 | 98 | 81 | +10 | ||
Alt (Stimmlage) | 1516 | 98 | 67 | 99 | 80 | -1 | ||
Tritonus | 182 | 102 | 64 | 100 | 79 | +2 | ||
Tango (Standardtanz) | 160 | 96 | 68 | 101 | 77 | -5 | ||
Arie | 636 | 126 | 51 | 102 | 76 | +24 | ||
Madrigal (Musik) | 514 | 106 | 62 | 103 | 74 | +3 | ||
Obertongesang | 104 | 222 | 30 | 104 | 73 | +118 | ||
Shen Yun Performing Arts | 6 | 196 | 34 | 105 | 73 | +91 | ||
Quinte | 492 | 112 | 60 | 106 | 73 | +6 | ||
Reel | 58 | 88 | 72 | 107 | 73 | -19 | ||
Polyphonie | 683 | 132 | 49 | 108 | 72 | +24 | ||
Coverversion | 4933 | 84 | 74 | 109 | 71 | -25 | ||
Suite (Musik) | 572 | 127 | 51 | 110 | 70 | +17 | ||
Lindy Hop | 52 | 93 | 70 | 111 | 70 | -18 | ||
Sonate | 459 | 118 | 55 | 112 | 70 | +6 | ||
Kantate | 1370 | 130 | 50 | 113 | 69 | +17 | ||
Septakkord | 116 | 131 | 49 | 114 | 69 | +17 | ||
Dreiklang | 202 | 156 | 41 | 115 | 69 | +41 | ||
Verismo | 133 | 166 | 39 | 116 | 69 | +50 | ||
Adagio (Musik) | 81 | 117 | 55 | 117 | 68 | |||
Rondo (Musik) | 353 | 142 | 46 | 118 | 68 | +24 | ||
Rhapsodie | 124 | 107 | 62 | 119 | 68 | -12 | ||
Christiaan Huygens | 265 | 146 | 44 | 120 | 68 | +26 | ||
Kammermusik | 2533 | 110 | 60 | 121 | 67 | -11 | ||
Blue Note | 98 | 139 | 46 | 122 | 66 | +17 | ||
Bass (Stimmlage) | 2363 | 114 | 57 | 123 | 66 | -9 | ||
Wolfgang Böhmer (Komponist) | 41 | 60 | 98 | 124 | 66 | -64 | ||
Akkordsymbol | 77 | 122 | 53 | 125 | 66 | -3 | ||
Register (Orgel) | 5000 | 104 | 63 | 126 | 65 | -22 | ||
Nocturne (Musik) | 93 | 128 | 51 | 127 | 65 | +1 | ||
Paco de Lucía | 160 | 109 | 61 | 128 | 64 | -19 | ||
Jean-Philippe Rameau | 474 | 138 | 47 | 129 | 64 | +9 | ||
Twerking | 16 | 90 | 71 | 130 | 64 | -40 | ||
Songwriting | 2539 | 87 | 72 | 131 | 63 | -44 | ||
Kunstlied | 350 | 189 | 36 | 132 | 63 | +57 | ||
Cancan | 68 | 89 | 71 | 133 | 62 | -44 | ||
Sirtaki | 26 | 56 | 106 | 134 | 61 | -78 | ||
D-Dur | 240 | 155 | 41 | 135 | 59 | +20 | ||
Spiritual (Musik) | 47 | 223 | 30 | 136 | 59 | +87 | ||
Dur | 410 | 145 | 44 | 137 | 57 | +8 | ||
Punktierung (Musik) | 75 | 216 | 31 | 138 | 57 | +78 | ||
Macarena (Lied) | 53 | 97 | 67 | 139 | 57 | -42 | ||
Da capo | 117 | 225 | 30 | 140 | 57 | +85 | ||
Notensystem (Musik) | 94 | 154 | 41 | 141 | 57 | +13 | ||
Shanty | 152 | 111 | 60 | 142 | 57 | -31 | ||
Passacaglia | 126 | 133 | 48 | 143 | 57 | -10 | ||
Langsamer Walzer | 104 | 183 | 36 | 144 | 56 | +39 | ||
Kathreintanz | 10 | 485 | 9 | 145 | 56 | +340 | ||
Metrum (Musik) | 221 | 218 | 31 | 146 | 56 | +72 | ||
E- und U-Musik | 90 | 141 | 46 | 147 | 56 | -6 | ||
Burleske | 229 | 105 | 62 | 148 | 56 | -43 | ||
Paralleltonart | 133 | 187 | 36 | 149 | 56 | +38 | ||
Tonartencharakter | 39 | 136 | 48 | 150 | 55 | -14 | ||
Menuett | 248 | 171 | 38 | 151 | 55 | +20 | ||
Rickie Lee Jones | 109 | 434 | 12 | 152 | 55 | +282 | ||
Beats per minute | 862 | 129 | 51 | 153 | 55 | -24 | ||
Wiener Walzer | 154 | 153 | 41 | 154 | 55 | -1 | ||
Modale Tonleitern | 105 | 134 | 48 | 155 | 55 | -21 | ||
Concerto grosso | 144 | 345 | 17 | 156 | 54 | +189 | ||
Cent (Musik) | 131 | 280 | 23 | 157 | 54 | +123 | ||
Boethius | 323 | 95 | 68 | 158 | 54 | -63 | ||
Rezitativ | 585 | 212 | 32 | 159 | 53 | +53 | ||
Anderssprachige Tonbezeichnungen | 27 | 115 | 56 | 160 | 53 | -45 | ||
Tarantella | 73 | 119 | 55 | 161 | 53 | -42 | ||
Ententanz | 34 | 135 | 48 | 162 | 53 | -27 | ||
Panzerlied | 6 | 125 | 52 | 163 | 52 | -38 | ||
Neume | 142 | 143 | 45 | 164 | 52 | -21 | ||
Narciso Yepes | 47 | 776 | 3 | 165 | 51 | +611 | ||
Volkslied | 1221 | 150 | 43 | 166 | 50 | -16 | ||
Worksong | 31 | 239 | 28 | 167 | 49 | +72 | ||
Michael Praetorius | 361 | 227 | 30 | 168 | 49 | +59 | ||
Stufentheorie (Harmonik) | 60 | 185 | 36 | 169 | 49 | +16 | ||
Air (Musik) | 94 | 182 | 36 | 170 | 48 | +12 | ||
A-Moll | 190 | 172 | 38 | 171 | 48 | +1 | ||
Enharmonische Verwechslung | 83 | 173 | 38 | 172 | 48 | +1 | ||
Transponierendes Instrument | 35 | 210 | 32 | 173 | 48 | +37 | ||
D-Moll | 210 | 194 | 35 | 174 | 48 | +20 | ||
Groteske | 507 | 174 | 37 | 175 | 48 | -1 | ||
Willy Mattes | 83 | 565 | 6 | 176 | 48 | +389 | ||
G-Dur | 285 | 202 | 33 | 177 | 47 | +25 | ||
B (Notenschrift) | 48 | 195 | 35 | 178 | 47 | +17 | ||
Moritat | 107 | 140 | 46 | 179 | 47 | -39 | ||
Chromatik | 644 | 152 | 42 | 180 | 47 | -28 | ||
Avishai Cohen | 83 | 296 | 21 | 181 | 46 | +115 | ||
Dorischer Modus | 125 | 175 | 37 | 182 | 46 | -7 | ||
Messe (Musik) | 929 | 219 | 31 | 183 | 46 | +36 | ||
Kanon (Musik) | 355 | 148 | 43 | 184 | 46 | -36 | ||
Syntagma musicum | 138 | 144 | 45 | 185 | 45 | -41 | ||
Cha-Cha-Cha | 144 | 159 | 40 | 186 | 45 | -27 | ||
Hymne | 986 | 157 | 41 | 187 | 45 | -30 | ||
Atonale Musik | 203 | 164 | 39 | 188 | 45 | -24 | ||
Programmmusik | 171 | 181 | 36 | 189 | 45 | -8 | ||
Coda (Musik) | 480 | 158 | 41 | 190 | 45 | -32 | ||
Opera buffa | 406 | 190 | 35 | 191 | 44 | -1 | ||
Lord of the Dance | 37 | 301 | 21 | 192 | 44 | +109 | ||
Dominantseptakkord | 87 | 241 | 27 | 193 | 44 | +48 | ||
Lied | 2398 | 184 | 36 | 194 | 43 | -10 | ||
Charleston (Tanz) | 133 | 168 | 38 | 195 | 43 | -27 | ||
Verismus | 124 | 305 | 21 | 196 | 43 | +109 | ||
Naturtonreihe | 77 | 180 | 36 | 197 | 42 | -17 | ||
Polonaise | 56 | 199 | 34 | 198 | 42 | +1 | ||
Liste von Orgelregistern | 116 | 151 | 42 | 199 | 42 | -48 | ||
Andreas Vollenweider | 73 | 73 | 88 | 200 | 42 | -127 |